COLOUR EXPERTISE FOR ARCHITECTURE AND CULTURAL SPACES
Colour can make architecture come alive.
It can change the way a material looks, alter the atmosphere of a room, or completely change how an artwork is perceived.
I help architects, designers and cultural and exhibition teams make better colour decisions.
Based in Paris. Working internationally.
Colour doesn’t exist on its own.
A colour that looks perfect on a sample card can be completely wrong on a wall.
And sometimes the colour you thought was too much is exactly what the space needs.
It depends on the architecture, the light, the materials, what is being displayed — and what you want people to experience.
That’s why I don’t start with a predetermined palette.
I start with the space.
I look at what is already there, what needs to stand out, what needs to recede, and what the colour needs to do.
Then we find the right answer.
WHO I WORK WITH
ARCHITECTURE & INTERIORS
I help develop, test and resolve colour in relation to architecture, materials, finishes and light.
Sometimes that means developing a complete colour direction.
Sometimes it means looking at three samples and saying, “Actually, this one.”
For architects and designers who want colour to be part of the design — not an afterthought.
CULTURAL & EXHIBITION SPACES
The wall is part of the exhibition.
Its colour can influence how an artwork is perceived, how objects relate to one another and how the whole space feels.
I help develop and review colour in relation to the artworks, architecture, lighting and visitor experience.
The aim isn’t to make the walls interesting.
It’s to make the exhibition work.
For museums, galleries, exhibition designers and scenography teams.
Sometimes you just need another pair of eyes.
Colour decisions can become surprisingly complicated.
There are samples everywhere. Everyone has an opinion. And after looking at the same three colours for long enough, it can become difficult to see any of them clearly.
That’s where I come in.
I bring an independent eye focused specifically on colour — asking questions, challenging assumptions when necessary, and helping make decisions that feel right for the space.
I work alongside the existing design team rather than taking over the project.
I’ve been thinking about colour for a long time.
My background spans interior design and specialist colour consultancy, including experience with Farrow & Ball and Ressource Peintures.
I’ve worked across different countries, cultures and types of spaces, and I’ve gradually realised that colour is the part of the work I keep coming back to.
Today, I bring that experience to architecture, interiors and cultural spaces.
I’m based in Paris and work internationally.
